Corona Diary

Almost three weeks inside except for a few walks to the local park where people & their dogs interlace the beginnings of Spring…..it’s been me, the cats, & the painting wall. I haven’t figured out anything about the world or myself. I’m decidedly wierd and am unsure of the shape of this wierdness. So I paint & meander in my alotted space. I’d thought to work small due to storage issues. There are no blank walls here. Even outside in the hallway there are paintings. Initially when I launched into smallness I did several watercolors of the flowers left over from my friend, Sally, and my Apocalypse Intermission party the first week of February (oh so long ago):
Single Red
9 x 12
At my focus began to unravel so I pulled out an old collage from 1995 and reworked it. The 1918 is actually 2 leaves from a Chinese calender (March 18 & 19, 2020). The obvious reference to the 1918 Flu Pandemic was unintentional….but there it is along with scribbles, rhinestones leftover from my circus days, a bit of foreign currency & a scrap of Chinese embroidered silk,
18 X 24:
From there I lunged to a childhood memory of an autumn whirlwind of leaves & acorns. It is one of my more ecstatic memories. In the process of painting it took on a whole other narrative that I realized, upon completion, is my version of Harold and the Purple Crayon.
(Meanwhile the news pummels me from my phone & my phone conversations. The weird shape is definitely evolving.)
18 X 24:
(The news just layers its disasters, while people madly communicate online across the city, the country, & the oceans. Hello…hello, are you all OK??)
….then I go back to my young self, the little Mia, & find her in the forest